Radio Recap: Night Beat

Night Beat was an NBC program that starred Frank Lovejoy as Randy Stone, a newspaper reporter who "covered the night beat." Each program would find Randy investigating a human interest story or stumbling into one during the course of events. It aired 1950-1952 and was sponsored for part of its run by Wheaties, part of it by Pabst Blue Ribbon Beer. Night Beat enjoyed a higher budget than other NBC dramatic programs so, for a change, I'm not here to register my usual complaints about NBC's repetitive musical choices. Night Beat had unique musical bridges, a large cast of characters (including familiar voices like William Conrad, Jeff Chandler and Howard McNear) and very good sound effects.

The pilot episode of Night Beat from 1949 is available and it's quite different from what the show became. It's not just that in the pilot Randy was called "Hank Mitchell" and was played by Edmond O'Brien, who went on to star in Yours Truly, Johnny Dollar instead (Frank Lovejoy used the same script for the 2nd pilot). In the pilot, "Hank" is outraged when a reformed criminal he knew is killed and is convinced his friend's old mob ties are responsible. "Hank" takes up a gun and goes seeking revenge; it's very noir, but -- outside of Randy's very noirish narration -- that wasn't the feel Night Beat ultimately went for.

Night Beat was a very humanist program. Randy Stone didn't solve problems with a gun or even his fists - like, ever. Typically, Randy would calm a person down by appealing to their character and what he learned about them across the drama. Indeed, Randy was a long-suffering protagonist whose goodness was often tread upon by the subject of that week's episode. In one episode, Randy was mugged by an old man who needed money for gambling. Randy then went looking for the old man to help him break his gambling habit and in the course of this he was repeatedly beaten up by bouncers at casinos. Randy seldom gets to prove his masculinity by shoving back, he's more likely to be the one who is shoved. In the era of noir-ish tough guys, this makes Night Beat's Randy Stone all the more unusual.

Towards the end, I wonder if Night Beat's budget was running out? One of the later episodes, "The Bomb On Flight 63," (September 4, 1952) uses a script recycled from NBC's the Silent Men that had been aired earlier that same year!

If you like a strong drama with a bit of action and mystery but think all the radio private eyes sound alike, you might do well to check out Night Beat for something a little offbeat. My favourite episodes include "The Man Who Claimed to Be Dead" (March 13, 1950) in which a man keeps insisting to Randy that he's dead and has men ready to vouch for it; "A City at Your Fingertips" (July 31, 1950) in which Randy dials a number at random and is answered by a woman being terrorized by her husband; "The Slasher" (November 10, 1950) in which Randy thinks he might have stumbled upon the identity of a man who disfigures his female victims; "Sanctuary" (June 22, 1951) in which Randy observes the showdown between the police and a man in a church tower; and "Somebody Stop Ann" (August 7, 1952) in which one of Randy's co-workers believes her children are in danger from her husband.

The majority of Night Beat is still in circulation and easy to find on old-time radio channels and websites. You can hear Night Beat on the Internet Archive.

Reflections on Angola in the New Issue of Artlife Magazine!

My wife recently published a new isuse of her Artlife Magazine and it includes a bit about our recent month-long visit to Angola with her impressions on art in Angola.

Artlife Magazine is available for free in digital format at her website, Bethany Illustrates. You can download a copy here.

Radio Recap: The New Adventures of Nero Wolfe

Rex Stout's detective character Nero Wolfe was heard a few times on the radio, the best-represented version being the New Adventures of Nero Wolfe from 1950-1951, which aired on NBC and starred Sydney Greenstreet. But there were a few other attempts to bring the character to radio prior to Greenstreet.

The first was on the Blue network from 1943-1944 as the Adventures of Nero Wolfe, a summer program run by Himan Brown of Inner Sanctum Mysteries. We have only one example remaining of that version: "The Last Laugh Murder Case" with Santos Ortega as Nero Wolfe and John Gibson as Wolfe's sidekick Archie Goodwin. The series went to Mutual in 1945 as the Amazing Nero Wolfe with star Francis X. Bushman as Wolfe and Elliott Lewis as Goodwin; the only surviving episode from that era is "The Shakespeare Folio."

That brings us to the New Adventures of Nero Wolfe and Sydney Greenstreet. Greenstreet was just terrific in the role - cantankerous, obstinante and, of course, always a step ahead of the other characters in the drama. I haven't read any of the Rex Stout stories but I do understand Wolfe didn't normally leave his home, instead using Archie Goodwin to perform the investigations while he would solve the case by expending as little effort as possible. In the New Adventures of Nero Wolfe, he did sometimes leave his home and encounter a case in the wild, much in the melodramatic means of other radio shows (such as the time Wolfe is invited to dinner and the host is murdered). But for the most part, Wolfe remained housebound, reluctant to take on a case and always haranguing Archie for arriving at conclusions too hastily. Goodwin, while performing the legwork (and often getting hit over the head, just like other radio private eyes) would also attempt to romance any woman who crossed his path, despite the alarming frequency at which they would end up dead or arrested. Rarely did Goodwin get the girl - more commonly he would be chided and mocked by Wolfe for his skirt-chasing.

For some reason, the New Adventures of Nero Wolfe seemed unable to lock down the part of Archie Goodwin, which is a shame. Still, they managed to cast three terrific actors in the part - Lawrence Dobkin, Harry Bartell and Gerald Mohr. Dobkin is my favourite Archie as he delivered his rejoinders to Wolfe with a delightful amount of sarcasm. Bartell was very good in the part as well, his voice falling somewhere between savvy and naive. I find Mohr a bit miscast, mainly because Mohr was already a leading man - indeed, he was still appearing on CBS' the Adventures of Philip Marlowe at the same time he was heard on the New Adventures of Nero Wolfe - and it's distracting to hear him demoted to sidekick on a different detective program. Mohr was a terrific radio actor but I think his distinctive voice is too distracting in this instance.

The Old-Time Radio Researchers Group has a collection of the New Adventures of Nero Wolfe on the Internet Archive.