Thursday, October 1, 2026

Halloween Radio Recap #1: The Haunting Hour!

Every Thursday this October, I'm going to write a recap on an old-time radio horror program as we gear up for Halloween!

"No, stay where you are; Do not break the stillness of this moment; for this is a time of mystery, a time when imagination is free and moves forward swiftly, silently... This is: The Haunting Hour!

When I first bought John Dunning's book On the Air: The Encyclopedia of Old-Time Radio in 1998, one of the first things I did was look up each of the horror programs I enjoyed so I could learn more about them. I was a bit annoyed that there was nothing in his book about The Haunting Hour; it was one of the first horror anthology programs I ever heard, but no one seemed to know anything about it; who produced, directed or starred in it? When did it air?

Thanks to the sorely-missed Digital Deli website, I finally got some answers. They identified it as an NBC syndicated program produced in Philadelphia. It was produced by Herbert Wood and featured Rosa Rio on the organ and music by Tilden Brown. Berry Kroeger was the show's narrator and it drew from familiar voices like Frank Lovejoy and Jackson Beck. According to the Deli, it ran for 52 episodes from June 8, 1945 to May 26, 1946.

In some ways the show reminds me of the Weird Circle, which was also from NBC syndication (1943-1945); I even wonder if The Haunting Hour were in some sense a continuation of that program - they featured many of the same actors. There's one episode of The Haunting Hour called "Revenge" that's inspired by Edgar Allan Poe's poem "Annabel Lee" which reminded me of how the Weird Circle's stories were inspired by the works of Poe and others (although they usually made drastic changes to the original texts).

It's not entirely accurate for me to call The Haunting Hour a horror program because, taken as a whole, it was simply a mystery anthology. The word "haunting" invites you to think of an underlying supernatural menace to the stories, but the supernatural seldom looms that large. Some stories are simply detective tales; others are crime stories which delve more into suspense than mystery.

When The Haunting Hour was at it's best, it was pretty good; I highly recommend the episode "The Uptown Express," which concerns a woman who suddenly finds herself living five years into her future. I also recommend "Breakdown," about a woman who seems to be losing her grip on sanity.

The most interesting story to me is "Ptolemy's Grave," about a woman haunted by a mummy whose face resembles her husband. Amazingly, this is a story I knew from a 1943 comic book adaptation! I blogged about it before at this link; but when it appeared in Super-Magician Comics, it was introduced as an adaptation from Inner Sanctum Mysteries. I'm left wondering if this episode of The Haunting Hour recycled a script from Inner Sanctum Mysteries and if so, are other stories on The Haunting Hour recycled scripts?

The Old-Time Radio Researchers have 40 episodes of The Haunting Hour at this link.

Next Thursday: The Mysterious Traveler!

Wednesday, September 30, 2026

25 Years of the Marvel Appendix - wrap-up!

Today the Marvel Appendix wraps up it's 25-year celebration! I wound up covering nearly 400 characters for the event! As I promised at the start of September, I won't link to all of them, but there are a number I'd like to highlight...

Here are a few of the characters I profiled who had been the stars of their own (obscure) features: Arrowhead (western hero); Buzz Brand (war hero); Battleship Burke (naval hero); Billy Buckskin (frontier hero); Captain Daring (sci-fi hero); Captain Strong (Foreign Legion hero); Captain Terror (super hero); Blaze Carson (western hero); Combat Casey (war hero); Combat Kelly (war hero); Rick Davis (spy hero); Dave Dean (1930s deep sea diving hero); Sgt. Dix (war hero); the Falcon (Burgess) (super hero); Fighting Yank (war hero); Flying Flame (aviation hero); Flash Foster (football hero); Don Gorman (aviation hero); Gunsmoke Kid (western hero); Red Hawkins (western hero); Rex Hart (western hero); Jeep Jones (humorous war hero); Jungle Boy (jungle hero); Kid from Dodge City (western hero); Kid from Texas (western hero); Magar the Mystic (magician hero); Molly Manton (romance heroine); Monako (magician hero); Barney Mullen (naval hero); Cookie Novak (Combat Kelly's sidekick); Rusty (Defender's sidekick); Sailor Sweeney (naval hero); Rocky Steele (boxing hero); Sam Storm (war hero); the Thunderer (Carstairs) (super hero); Waku (jungle hero)

Here's some profiles I put in some decent research to create: ARCH-E-5912 (Planet Hulk); Blur (D.P.7); Cat People (Tigra characters); Sally Clark (Wyatt Earp cast member); Queen Esther (Bible); Joe Grogan (My Girl Pearl cab driver); Phil Kane (Yellow Claw); Komodo (Avengers: The Initiative cast); the Manatelli Brothers (tumblers and war heroes); Manchuria Mary (communist agent); Monolith (2001: A Space Odyssey); General Olga (communist agent); Powersurge (Avengers character); Raiders (Iron Man foes); Slippery Sam (My Friend Irma character); Peter Spalding (Machine Man character); Star Sphere (Galactus' vehicle); Queen Ursula (American Ace foe); Daniel J. Whittier (Semper Fi character)

And here's profiles of things I just think are neat: Captain Sin (captain of El Cazador); Cool Breeze (G.I. Joe); Dark Angel (Shang-Chi character); Deviant Raiding Craft (very cool vehicle); Preston Dudley (Mountie spoof); Johannes Fliet (Casey, Crime Photographer foe); Aloysius P. Jamesley (Christopher Priest expy); Phanto Band (Blackstone the Magician foes); Prowlers (Wakandan robots); Ricochet Mobile (very silly vehicle); Victor-101 (Halo); Philip Nelson Voigt (Ultimates character); Larry Windham (Suspense); Zero/One (Red Hulk foe)

Originally I just wanted to get in a few dozen profiles for the event; I wound up writing so many and became so deeply involved that I wound up reactivating my responsibilities as an editor for the Marvel Appendix. It feels good to be back with my old Appendix friends and no doubt I'll wind up profiling many more obscure Marvel characters in the years to come. Happy 25th anniversary, you wonderful old website!

Thursday, September 24, 2026

Radio Recap: The Adventures of Jungle Jim

The Adventures of Jungle Jim was the 15-minute weekly syndicated program that replaced Flash Gordon in Hearst Syndication. It proved much more successful (under whatever terms Hearst considered successful) and ran from November 2, 1935 until July 31, 1954. Alex Raymond's Jungle Jim was the "topper" to his Flash Gordon on the Sunday comics page (meaning his adventures appeared on the top of the page above Flash Gordon; toppers were sometimes omitted in newspapers whose page size was smaller than the standard).

The role of Jungle Jim was played by a few people, with Matt Crowley apparently holding the role the longest (Gerald Mohr played Jim for a few weeks). Jim Bradley was a big game hunter, but the series seldom featured him hunting big game; instead, Jim would be hired out by governments to use his wilderness skills to investigate strange goings-on around in jungle climes, usually in Asia. Accompanying Jim was Kolu (Juano Hernandez), an Indian guide-- though he spoke in the type of speech radio usually gave to American Indians.

The initial storyline where Jim investigates the "Bat Woman" cult, which proves to be led by the criminal Shanghai Lil (Franc Hale), is a pretty darn good adventure serial. Shanghai Lil would turn out to be an undercover good guy who would renounce her criminal past and accompanied Jim on many of his adventures - a sort-of Burma to his Pat Ryan. But to complicate matters, Jim also wound up with his female sidekick Kitty St. John, who would make Lil jealous.

After Pearl Harbor, the show rapidly changed as Jim started fighting German and Japanese foes; he joined the Marines and was sent back to the States to ferret out undercover foreign agents (because when your speciality is hunting and tracking in Asia, obviously your greatest usefulness in World War II is to hang around stateside as a secret agent). By spring of 1942, the show's format was radically reinvented as, instead of the show's accustomed rhythm of lengthy adventures, it tended to feature Jim battling enemy agents and wrapping it all up within his 15 minutes; there were still some continued adventures, but typically they fell into no more than 2-part stories. My suspicion is that the radio show had stopped adapting the comic strip around this time. This version of The Adventures of Jungle Jim is an interesting change to witness, but it's inferior to what came before.

Because there are no shows from 1943 available I don't know when the series changed, but by 1944 Jim and Kolu (a new actor playing Kolu) were back in Asia, going on guerrilla missions against the Japanese in Malaya, which makes a lot more sense for their particular skills. They led an "Allied" team with members hailing from India, Australia, the Soviet Union and China, which meant the actors portraying those characters could use a variety of dialects.

After the war, the series shifted back into what it had been before; Shanghai Lil returned and joined Jim and Kolu on globe-trotting adventures that seemed to be based around Latin America.

Although the show didn't like to credit anyone (including Alex Raymond!) recognizable voices include Gale Gordon (who'd previously been Flash Gordon), Hanley Stafford and Elliot Lewis. The show's theme was taken from the William Tell Overture (a different part of the Overture than that used on the Lone Ranger). Up to 1942 the theme was played with a band, then it shifted to an organ.

Alex Raymond left Jungle Jim and Flash Gordon in 1944; the strip continued with John Mayo and Paul Norris and even spawned a series of movies starring Johnny Weissmuller, but the comic strip, movies and radio show ended in 1954; Weissmuller kept going with a TV show that only lasted 1955-1956. As I noted yesterday, Flash Gordon has transcended his humble origins and enjoys occasional revivals; Raymond's Flash Gordon is considered one of the greatest comic strips of all time. Jungle Jim, by contrast, is a historical artifact; today, it's mostly brought up when discussing Flash Gordon, not for its own merits. Flash Gordon had the last laugh.

The Old-Time Radio Researchers Library has 526 episodes of The Adventures of Jungle Jim; it's pretty much complete up into 1942, then gets a little spottier in later years. A clear sign that this series needs more love is that the OTRR Library files are badly missorted and misidentified. You can view their files at this link.

Wednesday, September 23, 2026

Radio Recap: Flash Gordon

Flash Gordon (also called the Amazing Interplanetary Adventures of Flash Gordon) was a 15-minute weekly juvenile adventure serial syndicated by Hearst from April 27 to October 26, 1935. It starred Gale Gordon (of all people!) as Flash Gordon and was adapted directly from Alex Raymond's famous comic strip - although Raymond received no credit in the dramas. It was apparently produced by Himan Brown, best-known for Inner Sanctum Mysteries and The CBS Mystery Theater.

The Hearst syndicate apparently released Flash Gordon on discs with Front Page Drama on the reverse. Both were designed to get listeners to buy a Hearst publication - in this instance, the Hearst's colour funnies, the Comic Weekly.

At this point I've covered Hearst's Front Page Drama and Club Car Special and they all demonstrate a kind of literal-mindedness on their part; they didn't want Flash Gordon to simply promote the comic strip, they wanted each drama to represent that week's installment of the comic strip. But first, they had to get the radio audience caught up with the strip's goings-on.

Consequently, the first 4 episodes of Flash Gordon quickly summarize everything that had happened in the comic strip up until that point. Thus, the episodes move at a dizzying pace with intense, dramatic moments simply glanced over and given absolutely no time to land. Yes, it moves fast, but there's no time spent on characters or the environment, just one peril after another.

Once the show was all caught up, from then on it moved at a more able pace, dramatizing the events of that week's installment of the comic strip. It's pretty amazing that there was a time in comics history that a single page of comic art could spawn a 15-minute drama every week!

Although the Flash Gordon comic strip lasted up until 2003 (recently revived with new strips by Dan Schkade since 2023), something clearly went wrong behind-the-scenes of the program because it was discontinued after 6 months. Maybe there was a prejudice against science fiction, because the series shifted to a different Alex Raymond series, Jungle Jim, which was then the "topper" strip above Flash Gordon. Jungle Jim continued as a weekly adaptation of the comic strip (well past Raymond's exit) up to 1954.

The closing weeks of Flash Gordon are a delightful mess. Abruptly, Flash's love interest Dale Arden demands they quit their adventures and go back to Earth at the end of the 23rd episode. In the 24th episode, the series is suddenly called The Adventures of Flash Gordon and Jungle Jim. There is no Jungle Jim in that episode, as Flash, Dale and Dr. Zarkov fly back to Earth. In the 25th episode, the action shifts entirely to Jungle Jim and appears to reference events going on in the Jungle Jim comic strip at the time. Finally, in the 26th episode, Flash, Dale and Dr. Zarkov meet Jungle Jim; Flash and Dale get married, then depart, never to be spoken of again. The following week, Jungle Jim took over. What a bizarre transition!

Of course, time has been kinder to Flash Gordon than to Jungle Jim. The Alex Raymond years of Jungle Jim have their devotees, but the rest of his considerable media presence has been forgotten; Flash Gordon, however, not only still has his comic strip but featured in a well-remembered campy 1980 feature film; every now and then he pops up in cartoons, TV shows or comic books as well.

You can hear the entirety of Flash Gordon at the Old Time Radio Researchers' Library.

Tomorrow I'll write about Flash Gordon's successor, Jungle Jim.

Friday, September 18, 2026

Missing Episodes of the Whistler

One thing that I wish the OTR community was better at celebrating is circulating news when missing episodes of popular shows are discovered. I've been online for almost 30 years and the amount of OTR that's freely circulating today is much greater than when I used a dial-up modem to download shows; episodes that were confidently listed as "lost" have been found and circulating for many years. And whenever that happens, I think we OTR fans should get the word out to each other, because there is no single comprehensive authority on what's out there.

To that end, as a huge fan of the Whistler I was very pleased to notice at the fan page the Whistler Files that no less than 3 previously-lost episodes of the Whistler have been found and released by fans this year - "The Havana Lee," "No Questions Asked" and "The Croupier's Wife." There are links on the Files' main page to where you can find those episodes. If you, like me, want to hear every episode of the Whistler, well, happily there are a few more out there now.

Thursday, September 17, 2026

Radio Recap: The Damon Runyon Theatre

The Damon Runyon Theatre was a half-hour syndicated program from 1949-1950 which adapted stories from the works of author Damon Runyon (who had died in 1946). It was produced by Mayfair, Alan Ladd's production company (although Ladd never appeared on the show). Mayfair also made Ladd's Box 13. It was directed by Richard Sanville of Box 13, Escape and Yours Truly, Johnny Dollar.

John Brown served as the program's narrator, Broadway; Broadway wasn't the narrator in all of the Runyon stories when they were first printed, but it didn't seem to take much effort to simply have Broadway encounter the protagonist of another story then listen as they narrated their tale to him. The stories always had a humorous edge, especially while Broadway was narrating with his Runyon patter (such as the phrase "more than somewhat"). Most of the stories were about big city living and the various classes of criminals but the series also adapted Runyon's World War II stories. Some tales were simply funny, some were heartwarming, some were true hardboiled crime thrillers and a few were tearjerkers.

Other familiar voices in the terrific cast included Jack Webb, William Conrad, Hans Conreid, Gerald Mohr, Ed Begley, Willard Waterman, Frank Lovejoy, Alan Reed, Jeff Chandler, Joseph Kearns, Sara Berner and Sheldon Leonard.

I rather agree with John Dunning's view in On the Air: The Encyclopedia of Old-Time Radio: "In an era when radio emphasis was on Hollywood stars in film adaptations, The Damon Runyon Theater,/B> was like a cool breeze." This program was my introduction to Damon Runyon's writing and I certainly enjoyed delving into Runyon's fiction. Runyon is mostly remembered today for the Guys and Dolls musical that was inspired by his work but those who know his stories like them a lot; having read the short story collection of Guys and Dolls I'm immensely grateful to The Damon Runyon Theatre for exposing me to his writing.

My favourite episode is "Tobias the Terrible" but I also give high marks to "Little Miss Marker," "The Lemon Drop Kid," "For a Pal," "Butch Minds the Baby," "That Ever-Lovin' Wife of Hymie's," "Dark Dolores" and "Dream Street Rose." (Note that one story they didn't adapt to The Damon Runyon Theatre is "Three Wise Guys," which was instead adapted on the Whistler, complete with John Brown!).

You can hear the Old-Time Radio Researchers' collection of all 52 episodes of The Damon Runyon Theatre at this link on the Internet Archive.

Friday, September 11, 2026

New Video: The Angola Mural Projects

Here's a video of my wife and I introducing the murals we created in Angola: