Radio Recap: The Adventures of Jungle Jim

The Adventures of Jungle Jim was the 15-minute weekly syndicated program that replaced Flash Gordon in Hearst Syndication. It proved much more successful (under whatever terms Hearst considered successful) and ran from November 2, 1935 until July 31, 1954. Alex Raymond's Jungle Jim was the "topper" to his Flash Gordon on the Sunday comics page (meaning his adventures appeared on the top of the page above Flash Gordon; toppers were sometimes omitted in newspapers whose page size was smaller than the standard).

The role of Jungle Jim was played by a few people, with Matt Crowley apparently holding the role the longest (Gerald Mohr played Jim for a few weeks). Jim Bradley was a big game hunter, but the series seldom featured him hunting big game; instead, Jim would be hired out by governments to use his wilderness skills to investigate strange goings-on around in jungle climes, usually in Asia. Accompanying Jim was Kolu (Juano Hernandez), an Indian guide-- though he spoke in the type of speech radio usually gave to American Indians.

The initial storyline where Jim investigates the "Bat Woman" cult, which proves to be led by the criminal Shanghai Lil (Franc Hale), is a pretty darn good adventure serial. Shanghai Lil would turn out to be an undercover good guy who would renounce her criminal past and accompanied Jim on many of his adventures - a sort-of Burma to his Pat Ryan. But to complicate matters, Jim also wound up with his female sidekick Kitty St. John, who would make Lil jealous.

After Pearl Harbor, the show rapidly changed as Jim started fighting German and Japanese foes; he joined the Marines and was sent back to the States to ferret out undercover foreign agents (because when your speciality is hunting and tracking in Asia, obviously your greatest usefulness in World War II is to hang around stateside as a secret agent). By spring of 1942, the show's format was radically reinvented as, instead of the show's accustomed rhythm of lengthy adventures, it tended to feature Jim battling enemy agents and wrapping it all up within his 15 minutes; there were still some continued adventures, but typically they fell into no more than 2-part stories. My suspicion is that the radio show had stopped adapting the comic strip around this time. This version of The Adventures of Jungle Jim is an interesting change to witness, but it's inferior to what came before.

Because there are no shows from 1943 available I don't know when the series changed, but by 1944 Jim and Kolu (a new actor playing Kolu) were back in Asia, going on guerrilla missions against the Japanese in Malaya, which makes a lot more sense for their particular skills. They led an "Allied" team with members hailing from India, Australia, the Soviet Union and China, which meant the actors portraying those characters could use a variety of dialects.

After the war, the series shifted back into what it had been before; Shanghai Lil returned and joined Jim and Kolu on globe-trotting adventures that seemed to be based around Latin America.

Although the show didn't like to credit anyone (including Alex Raymond!) recognizable voices include Gale Gordon (who'd previously been Flash Gordon), Hanley Stafford and Elliot Lewis. The show's theme was taken from the William Tell Overture (a different part of the Overture than that used on the Lone Ranger). Up to 1942 the theme was played with a band, then it shifted to an organ.

Alex Raymond left Jungle Jim and Flash Gordon in 1944; the strip continued with John Mayo and Paul Norris and even spawned a series of movies starring Johnny Weissmuller, but the comic strip, movies and radio show ended in 1954; Weissmuller kept going with a TV show that only lasted 1955-1956. As I noted yesterday, Flash Gordon has transcended his humble origins and enjoys occasional revivals; Raymond's Flash Gordon is considered one of the greatest comic strips of all time. Jungle Jim, by contrast, is a historical artifact; today, it's mostly brought up when discussing Flash Gordon, not for its own merits. Flash Gordon had the last laugh.

The Old-Time Radio Researchers Library has 526 episodes of The Adventures of Jungle Jim; it's pretty much complete up into 1942, then gets a little spottier in later years. A clear sign that this series needs more love is that the OTRR Library files are badly missorted and misidentified. You can view their files at this link.

Radio Recap: Flash Gordon

Flash Gordon (also called the Amazing Interplanetary Adventures of Flash Gordon) was a 15-minute weekly juvenile adventure serial syndicated by Hearst from April 27 to October 26, 1935. It starred Gale Gordon (of all people!) as Flash Gordon and was adapted directly from Alex Raymond's famous comic strip - although Raymond received no credit in the dramas. It was apparently produced by Himan Brown, best-known for Inner Sanctum Mysteries and The CBS Mystery Theater.

The Hearst syndicate apparently released Flash Gordon on discs with Front Page Drama on the reverse. Both were designed to get listeners to buy a Hearst publication - in this instance, the Hearst's colour funnies, the Comic Weekly.

At this point I've covered Hearst's Front Page Drama and Club Car Special and they all demonstrate a kind of literal-mindedness on their part; they didn't want Flash Gordon to simply promote the comic strip, they wanted each drama to represent that week's installment of the comic strip. But first, they had to get the radio audience caught up with the strip's goings-on.

Consequently, the first 4 episodes of Flash Gordon quickly summarize everything that had happened in the comic strip up until that point. Thus, the episodes move at a dizzying pace with intense, dramatic moments simply glanced over and given absolutely no time to land. Yes, it moves fast, but there's no time spent on characters or the environment, just one peril after another.

Once the show was all caught up, from then on it moved at a more able pace, dramatizing the events of that week's installment of the comic strip. It's pretty amazing that there was a time in comics history that a single page of comic art could spawn a 15-minute drama every week!

Although the Flash Gordon comic strip lasted up until 2003 (recently revived with new strips by Dan Schkade since 2023), something clearly went wrong behind-the-scenes of the program because it was discontinued after 6 months. Maybe there was a prejudice against science fiction, because the series shifted to a different Alex Raymond series, Jungle Jim, which was then the "topper" strip above Flash Gordon. Jungle Jim continued as a weekly adaptation of the comic strip (well past Raymond's exit) up to 1954.

The closing weeks of Flash Gordon are a delightful mess. Abruptly, Flash's love interest Dale Arden demands they quit their adventures and go back to Earth at the end of the 23rd episode. In the 24th episode, the series is suddenly called The Adventures of Flash Gordon and Jungle Jim. There is no Jungle Jim in that episode, as Flash, Dale and Dr. Zarkov fly back to Earth. In the 25th episode, the action shifts entirely to Jungle Jim and appears to reference events going on in the Jungle Jim comic strip at the time. Finally, in the 26th episode, Flash, Dale and Dr. Zarkov meet Jungle Jim; Flash and Dale get married, then depart, never to be spoken of again. The following week, Jungle Jim took over. What a bizarre transition!

Of course, time has been kinder to Flash Gordon than to Jungle Jim. The Alex Raymond years of Jungle Jim have their devotees, but the rest of his considerable media presence has been forgotten; Flash Gordon, however, not only still has his comic strip but featured in a well-remembered campy 1980 feature film; every now and then he pops up in cartoons, TV shows or comic books as well.

You can hear the entirety of Flash Gordon at the Old Time Radio Researchers' Library.

Tomorrow I'll write about Flash Gordon's successor, Jungle Jim.

Missing Episodes of the Whistler

One thing that I wish the OTR community was better at celebrating is circulating news when missing episodes of popular shows are discovered. I've been online for almost 30 years and the amount of OTR that's freely circulating today is much greater than when I used a dial-up modem to download shows; episodes that were confidently listed as "lost" have been found and circulating for many years. And whenever that happens, I think we OTR fans should get the word out to each other, because there is no single comprehensive authority on what's out there.

To that end, as a huge fan of the Whistler I was very pleased to notice at the fan page the Whistler Files that no less than 3 previously-lost episodes of the Whistler have been found and released by fans this year - "The Havana Lee," "No Questions Asked" and "The Croupier's Wife." There are links on the Files' main page to where you can find those episodes. If you, like me, want to hear every episode of the Whistler, well, happily there are a few more out there now.

Radio Recap: The Damon Runyon Theatre

The Damon Runyon Theatre was a half-hour syndicated program from 1949-1950 which adapted stories from the works of author Damon Runyon (who had died in 1946). It was produced by Mayfair, Alan Ladd's production company (although Ladd never appeared on the show). Mayfair also made Ladd's Box 13. It was directed by Richard Sanville of Box 13, Escape and Yours Truly, Johnny Dollar.

John Brown served as the program's narrator, Broadway; Broadway wasn't the narrator in all of the Runyon stories when they were first printed, but it didn't seem to take much effort to simply have Broadway encounter the protagonist of another story then listen as they narrated their tale to him. The stories always had a humorous edge, especially while Broadway was narrating with his Runyon patter (such as the phrase "more than somewhat"). Most of the stories were about big city living and the various classes of criminals but the series also adapted Runyon's World War II stories. Some tales were simply funny, some were heartwarming, some were true hardboiled crime thrillers and a few were tearjerkers.

Other familiar voices in the terrific cast included Jack Webb, William Conrad, Hans Conreid, Gerald Mohr, Ed Begley, Willard Waterman, Frank Lovejoy, Alan Reed, Jeff Chandler, Joseph Kearns, Sara Berner and Sheldon Leonard.

I rather agree with John Dunning's view in On the Air: The Encyclopedia of Old-Time Radio: "In an era when radio emphasis was on Hollywood stars in film adaptations, The Damon Runyon Theater,/B> was like a cool breeze." This program was my introduction to Damon Runyon's writing and I certainly enjoyed delving into Runyon's fiction. Runyon is mostly remembered today for the Guys and Dolls musical that was inspired by his work but those who know his stories like them a lot; having read the short story collection of Guys and Dolls I'm immensely grateful to The Damon Runyon Theatre for exposing me to his writing.

My favourite episode is "Tobias the Terrible" but I also give high marks to "Little Miss Marker," "The Lemon Drop Kid," "For a Pal," "Butch Minds the Baby," "That Ever-Lovin' Wife of Hymie's," "Dark Dolores" and "Dream Street Rose." (Note that one story they didn't adapt to The Damon Runyon Theatre is "Three Wise Guys," which was instead adapted on the Whistler, complete with John Brown!).

You can hear the Old-Time Radio Researchers' collection of all 52 episodes of The Damon Runyon Theatre at this link on the Internet Archive.

New Video: The Angola Mural Projects

Here's a video of my wife and I introducing the murals we created in Angola:

Radio Recap: Our Miss Brooks

Our Miss Brooks was an extremely successful old-time radio situation comedy that lasted well into the latter days of scripted radio drama, lasting on CBS from July 19, 1948 til June 30, 1957 (I strongly suspect the last season was repeat broadcasts). It started out with Palmolive Soap and Lustre Creme Shampoo as its sponsors. It was produced by Larry Berns and directed and written by Al Lewis.

The show starred Eve Arden as Connie Brooks, the English teacher at Madison High School. The show emphasized how difficult it was to make ends meet on a teacher's salary. She forever hoped to be promoted to head of the English department, but the goal was always just out of reach; she also hoped for Mr. Boynton to marry her, only to be disappointed.

Gale Gordon was Osgood Conklin, the principal of Madison. Gordon, of course, could be terrifically bombastic when his characters would explode in anger, and he seemed to know that Conklin's anger was at its funniest when set to a slow burn. There was a particular knack he had to deliver increasingly histrionic dialogue until suddenly halting and, switching to a calm, mellow voice, would ask Miss Brooks to verify whatever the episode's misunderstanding had been, then hit his top.

Jeff Chandler was Philip Boynton, the bashful biology teacher; Chandler was a legitimate Hollywood heart throb and a radio tough guy who'd played the hardboiled Michael Shayne. His performance as the stammering, awkward Mr. Boynton was a departure for him and really showed off his range.

Richard Crenna was Walter Denton, a helpful student with a piercing nasal voice; Walter thought of himself as a loquacious and erudite young scholar but he would frequently mangle his English, much to Connie's annoyance; he also had a habit of eating up Mrs. Davis' food. Walter would drive Connie to Madison each morning and frequently he would be the one to bring up the episode's particular problem.

Jane Morgan was Margaret Davis, Connie's scatterbrained landlady; she frequently would begin stories about her absent-minded sister Angela, only to forget her own anecdote mid-story.

Gloria McMillan was Harriet Conklin, the principal's daughter and girlfriend to Walter; she was simply a nice girl, but would sometimes unwittingly exacerbate the episode's problem, especially if she thought she was "helping" Miss Brooks.

Other recurring characters included Stretch Snodgrass (Leonard Smith), Madison's star basketball player but also the dimmest character in the school; Miss Enright (Mary Jane Croft), Connie's rival English teacher both for the position as head of the English department and in dating Mr. Boynton; Jacque Monet (Gerald Mohr), the school's French teacher; custodian Mr. Jensen (Bob Jellison), who took his grammar very seriously (such as objecting to the phrase "pick up" when the object in question is above Connie's head); Mrs. Conklin (Virginia Gordon) occasionally appeared; and Mr. Stone (Joseph Kearns), the school's superintendant, who seemed to visit Madison only when things were especially chaotic. There was an appreciable amount of lore as well, such as Madison's rivalry with Clay City High, as their principal Jason Brill was a rival to Mr. Conklin who would sometimes try to lure Madison's faculty to his school; Jason Brill did appear in a few episodes (played by Frank Nelson in one) but he was usually more spoken of than he was present.

CBS ran three auditions before finally launching the series. The 1st audition starred Shirley Booth as the series had originally been intended as a vehicle for her, but she fell out with the producers; the 2nd audition (which we don't have) starred Joan Blondell; finally, Eve Arden was cast in the 3rd audition. The first actual episode was also drawn from the same script as the audition scripts. Beyond the change in lead the role, there are interesting differences between the 3 versions we have of the first script. In the 1st audition, Mr. Conklin was the new President of the school board, rather than the principal. In the 3rd audition, Mr. Conklin was the new principal (but played by Joe Forte) and Jeff Chandler and Richard Crenna took over the roles of Mr. Boynton and Walter Denton; Gale Gordon didn't become Osgood Conklin until the 2nd broadcast episode (which is also when Gloria McMillan debuted as Harriet). It's also interesting that in all the version of the audition script, Walter's mother is set up as an important character on the school board, but she was mostly out-of-focus in the series proper.

I found it interesting that early on, it's established Mrs. Davis went to school with Mr. Conklin; I'd noticed that he always referred to her as "Margaret," but she was portrayed as being much older than he was; anyway, it's only in those early episodes that their past is mentioned. It's also interesting that early on, Mr. Stone was introduced as a former wartime comrade of Mr. Conklin's. Although Mr. Conklin's status as a veteran remained an important part of his character (his style of calling out "dismissed!" at Miss Brooks, for instance), he and Mr. Stone's character bond seemed to disappear and Mr. Stone seemed forever suspicious of Conklin, rather than the guardedly favourable impression he had of Conklin early on.

The series was set around the school, but seldom depicted scenes in the classroom. Usually, scenes were set at Mrs. Davis' home, in Mr. Conklin's office, in Mr. Boynton's biology lab or in the school cafeteria. The series' economy of locations is unusual for a radio series and suggests that from early on, Larry Berns and Al Lewis were thinking how they might adapt their stories to television; the TV series ran from 1952-1956, then ended with a theatrical Our Miss Brooks in which Connie finally got engaged to Mr. Boynton.

Our Miss Brooks let Eve Arden demonstrate she was an extremely capable lead performer, when for most of her career she'd been someone's sidekick (as on the Danny Kaye Show, for instance). Much like Marie Wilson on My Friend Irma, Eve Arden was known, but not a star; Our Miss Brooks became the work she remains best-known for.

The biggest change the show endured during its run was the loss of Jeff Chandler, who was replaced with Robert Rockwell in 1953. Rockwell likewise portrayed Mr. Boynton on the TV series. In fact, the TV version did an excellent job of retaining the radio cast: Eve Arden, the indispensable Gale Gordon, Richard Crenna, Gloria McMillan, Jane Morgan, Joseph Kearns, Virginia Gordon, Mary Jane Croft, even Leonard Smith - all appeared on the small screen.

The Old-Time Radio Researchers have a YouTube playlist with 188 videos (the first 4 are biographies of the cast):

Lubango Vlog: Full CEML Succession Video

I finally had time to upload the full 90+ minute version of my Uncle Steve's succession ceremony at CEML from last month: