Cops on the moon, super hero cops and various non-cop-related titles (2017 review, finale)

My connection to the world of comic books has felt a bit off ever since I quit working for Marvel in 2012. Perhaps I miss the shared universe concept, the excitement of seeing different creators and their characters playing off of each other. Maybe. Still, I got into a few titles this last year.

What was the best new comic I read last year? I dunno. Let's say Mooncop or Baking with Kafka by Tom Gauld. The latter book is a collection of cartoons, while the former is a graphic novel about a police officer on the moon - unfortunately, people are steadily leaving the moon so his job seems to be a pointless one. It's funny and heartfelt.

I read a lot of other books from Canada's Drawn & Quarterly including Hostage by Guy Delisle and both of his Bad Parenting books, plus Rolling Blackouts by Sarah Glidden, which I reviewed here.

I followed Deathstroke by Christopher Priest, Joe Bennett, Carlo Pagulayan & others for most of the year until the book shifted from bi-monthly to monthly status and increased its cover price. Priest seemed to be having the time of his life playing on the fringes of the DC Universe while crafting a complex series loaded with conflicted characters. It's very much like his Black Panther, only with an amoral unstoppable protagonist. You can read one of my reviews from the past year here.

I'm also following G.I. Joe: A Real American Hero by Larry Hama & S. L. Gallant, which spent most of the last year creating a new Snake Eyes for the series (Hama killed off the most popular Joe recently). I'm reading Cerebus in Hell? by Dave Sim which has been published in various different parody title formats (ie, Strange Cerebus) and while it sure ain't Cerebus proper, it makes me chuckle. Usagi Yojimbo by Stan Sakai published a number of issues last year and it's as consistent and strong as ever. I also dipped into the past for Top Ten by Alan Moore & Gene Ha, which I missed back in its heyday; it was as complex as I expected from Moore, but I had difficulty sorting out my feelings about the large cast.

For a time I followed the controversial The Divided States of Hysteria by Howard Chaykin, right up until my comic shop stopped putting it on the shelves! It was easily the second-most reviled book of 2017 (after Marvel's Secret Empire) and isn't that enough reason to check it out? I wrote up my thoughts here.

As I had thoroughly enjoyed the film Edge of Tomorrow I decide to give the earlier manga version a try and read All You Need Is Kill by Hiroshi Sakurazaka & Takeshi Obata. It has many differences compared to the film and definitely opts for less-optimistic ending. I'm still following Astro City by Kurt Busiek & Brent Anderson, which had a few noteworthy issues last year, particularly a two-parter about a man who learns to be a hero from the example of his dog.

Some more recent reads of mine include the Charles Dickens adaptation Marley's Ghost by Gideon Kendall, which I reviewed here; Captain Kronos by Dan Abnett & Tom Mandrake, reviewed here; The Sworn Sword by Ben Avery & Mike S. Miller which is set in the world of George R. R. Martin's A Game of Thrones world but is a shade more optimistic; the M. R. James adaptations found in Ghost Stories of an Antiquary Vol.2 by Leah Moore, John Reppion & others, reviewed by me here; and the European book Alter Ego: Camille by Pierre-Paul Renders, Denis Lapiere & Mathieu Reynes, which I hope to review soon as it has elements worth talking about... and people don't seem to be talking about it online.

Happy 2018!

My current comic list

After looking over the 52 new issue #1s being introduced by DC Comics in September (see them all here), I concluded I wouldn't be sampling any of them, deciding instead to wait for critical reactions to the series and plan to collect the trades at a later date; I'll probably wind up buying the trades of Grant Morrison's Superman, at the very least.

This left me considering the current state of my comic book purchasing. I'm afraid the list has become very thin, particularly since Marvel gives me everything they publish. For the other publishers, there are still titles I'm very interested in, but I wish there were more.

Books which have almost completed their run:

• Xombi (DC Comics) In which an odd hero with odd powers combats odd forces of evil. It's a little odd. Due to end with #6, owing to DC's line-wide reboot in September.
• John Byrne's Next Men (IDW) Resuming Byrne's 1990s series about people with superhuman powers and the often harsh effects those powers have on the world around them, this is due to wrap up with issue #9.
• Comic Book Comics (Evil Twin) An ambitious history of comic books told in comic book format. There's more than enough material to keep this series running for years, but sadly it's due to end soon with issue #6.
• Marineman (Image Comics) Ian Churchill created this hero as a child and has brought him to life as a labour of love. Will end with #6.
• Royal Historian of Oz (SLG) An amusing tale of an Oz fan who finds the land of Oz is real and what happens when he absconds with a treasure trove of Oz-originating materials. Ends with #5.

Books which come out infrequently:

• Rasl (Cartoon Books) Jeff Smith's slow burn story of a man who can travel between realities; gaps of 4 months between issues are typical.
• Kurt Busiek's Astro City (DC Comics) Kurt Busiek's creator-owned series of a world of super heroes told from a grounded perspective. Has historically had difficulty shipping monthly and has now been absent more than a year.

Books which come out regularly:

• Usagi Yojimbo (Dark Horse) Stan Sakai's rabbit ronin in feudal Japan has been running since 1987 with very few gaps. Usagi plays to a small but devoted audience.
• Atomic Robo (Red 5) The adventures of a robot hero, often checking in on him at various points in his 20th century history. Played primarily for laughs, Atomic Robo seems to be on the verge of being a hit; for now, it's a cult favourite.
• G.I. Joe: A Real American Hero (IDW) Larry Hama revisits the continuity from his 80s-90s G.I. Joe series, with even some of his original artistic collaborators reuniting with him. Hama's wry perspective on the world is constantly amusing and his strange ability to make G.I. Joe plausible keep me entertained.
• Glamourpuss (Aardvark-Vanaheim) Although I've never read Dave Sim's Cerberus and don't really have an interest in the histories of the comic strip artists he recounts here, I like his brash sense of humour; some of his pieces, like the bit about the CN Tower, are inspired.

Having seen what I currently consider worth buying, if you have a recommendation to make please leave it in the comments.