Today's program is an example of how the show played against typecasting - "Elwood," starring Eddie Bracken, from March 6, 1947. You may download it here.
Eddie Bracken plays a young gas station attendant, frustrated by his aimless life and unfulfilled ambitions. There are murders being committed in his town and Elwood himself is quite close to the killer...
Eddie Bracken's nervous energy suited him well in the comedies he normally appeared in, but his Suspense performances are a revelation; I mean, look at his picture above - is that the face of a menacing figure? Is that chipmunk-like expression even the least bit unsettling? Yet on the radio, he's undeniably able to agitate the audience's nerves.
Tomorrow: "It's good to be home."
3 comments:
I think Bracken does a great job in this episode, but this is not one I particularly like. There's an almost absurd level of unpleasantness at times, and I can't decide if there is supposed to be a "mystery" or not (I do like the final twist explaining the killer's motivations). There's also a ton of episodes around this time in which the ending seems the same--the killer in jail, blandly accepting his/her execution.
Hi Mike! The unpleasant tone is part of what I enjoy about this episode. Bracken's performance carries it, even though it's pretty clear he's the killer.
You're definitely right about the quantity of Suspense episodes with the killer's final resignation (my favourite is Joseph Cotten in the climax of "You'll Never See Me Again", but there are many others like "Two Sharp Knives").
It's one of my half dozen or so favorite episodes. There are great things about it - the touching Our Town-like vignettes of Winifred and Old Man Kranz, Elwood's embittered mother and, especially, of Elwood's one-time teacher Miss Wilson. Her struggle with her dawning awareness of the terrible truth is the major movement within the play. I can see those looking for a mystery being a little disappointed. But then, it isn't a real whodunnit any more than are most Hitchcock's films. The director said he wasn't as interested in "whidunnit" as "howdunnit" and how this episode plays out is very rich indeed.
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